Lascaux cave art

Lascaux cave art

Sunday, December 29, 2013

The Black Sun and The Golden Sun: the Task of the Arya



It is no coincidence that since the end of WWII Die Schwarze Sonne [the Black Sun] has emerged as the primary symbol of esoteric National Socialism. Some would argue that on a superficial basis the Black Sun appears to have eclipsed the Swastika as the symbol of Aryan man.One reason for this may be that the Black Sun, unlike the Swastika is not generally known to the uninitiated wider world and so the wearing or display of this symbol meets little if any opposition. This is of course to our advantage. The Unconscious does not reason; it feels, it remembers. As I have said many many times before, a "symbol is worth 1,000 words" for it speaks directly to the Racial Collective Unconscious. Thus a favourable response is more likely than that which one would receive if displaying the Swastika for the masses have not been conditioned-yet to respond negatively to the Black Sun; thus the Unconscious presents no barrier, no resistance to the reception of this symbol. Likewise to those who are initiated, who have understanding it is a sign of brotherhood.

There is another and deeper reason why the Black Sun has eclipsed the Swastika. That reason is elaborated on in my The Black Sun [Die Schwarze Sonne] in Eddic Mythology and Fairytale article published on my Die Armanenschaft der Ario-Germanen blog on 26/12/13. Put quite simply the current active Sun, the Golden Sun is in the process of being `eclipsed` by the Black Sun, the currently passive Sun which will become active again after Ragnarok. It will become the active Sun of the new Golden Age of the Arya. The Eddic mythology from both the Elder and Younger Eddas makes this abundantly clear. At the time of the seeding of our race at the North Pole this ancient Sol Niger was visible in the sky and exerted a psychological and physiological influence upon our race. That influence will be felt again in its full power after Ragnarok. We know that the Arya will be purified through the fires of Ragnarok and the earth will be cleansed from its physical, biological and spiritual impurities due to the sacrifices of the Einheriar. The rejuvenated Arya will emerge from the safety of Odainsaker to replenish the earth. To meet them will be the rejuvenated Gods who will walk hand in hand with the Arya to accomplish the next phase of Aryan existence. Thus we must welcome Ragnarok. It cannot be avoided. The Gods know this and so do we.
However before the new can come the old order must be destroyed. The signs of its decay are already present and the end is in sight.

We know from the ancient Aryan science of Alchemy that the initial stage of the process of transformation is the nigredo stage, the darkening,  representing all that is decaying and dying and that the initiate must proceed from this stage to the ultimate goal of attaining the internal Golden Sun. What will happen in the heavens, in the Macrocosmos must be achieved internally, in the Microcosmos, the Sun Initiate, the Sonnenmensch. Partly for this reason we currently wear black for we are the inheritors of the Lords of the Black Stone, Die Herren vom Schwarzen Stein [DHvSS], the SS, the Schwarze Sonne!


Wednesday, December 25, 2013

Langridge`s ROH Parsifal-a Review by Wotans Krieger

On 18/12/13 I sat through and endured the latest modernistic interpretation of Wagner`s Parsifal by the Royal Opera House under the directorship of Stephen Langridge. I say "endured" because this was as modernistic as you can make it. The worst part of the work was Act I where Langridge had all the Grail knights dressed as bespectacled bank clerks. Some of these knights or squires were obviously female which is not what Wagner intended. If this were not bad enough one of these females was an oriental and one of the male singers,dressed as an American hospital porter[or was it as an ice cream salesman?] was a negro. He also sang  as well as performed like a negro. Clearly the timbre of his voice was not appropriate for a work of this nature. The other obvious negro in the cast was Willard White who I must admit pulled off a breathtaking Klingsor. There are some Wagnerian roles which I have no objection to being given to negroes, particularly if like him they have a good and powerful voice. His acting unlike the other one was convincing. However he should never have been given the role of Wotan just as a European should never be expected to play Nelson Mandela! Wagner is not merely opera: it is MUSIC DRAMA and as such the people must be believeable in the role they portray. Wagner is a Teutonic God: our Gods should never be portayed by people who are of non-Europid race. That is common sense! Equally as ridiculous is the playing of Heimdall in the Thor film[which I have no intention of seeing] by an oriental.

To compound things further Langridge`s version of the Grail was in Act I a prebuscent boy dressed in a nappy whose side was pierced and from which `blood` flowed.  This was wrong on so many different levels and indeed I found it sick, immoral and an absolute disgrace. Goodness knows what Langridge was thinking of when he introduced this shameful spectacle. I get the impression that he was appealing to an audience unversed in Wagner and behving like a second rate Hollywood film director wanted to introduce a shock value to pull the punters in. I see no other logical or artistic reason for substituting a Grail, which should be either a chalice or a stone for a bleeding young boy in a nappy! It is insanity! In Act III the boy in a nappy becomes a young man in a nappy!

Acts II and III were marginally better. At least they were shorter and one could focus more on the powerful singing of Kundry, sang extremely well and acted brilliantly by Angela Denoka. One needs to remember that with Wagner on stage the acting is almost as important as the singing and Denoka was exceptional. Also of note was Rene Pape as Gurnemanz-shame about the clothing!

One thing I could not understand was the presence of a ridiculous cube in the centre of the stage. Again it made no logical or artistic sense. The flower maidens in Act II were a pleasant diversion from the lunacy of the stage set. I noticed that the more attractive and younger flower maidens took centre stage whilst the older and less attractive ones looked on from the sides. I am not sure what the intention was there unless Langridge was particularly short of young ladies who could also sing well, thus hiding away the more matronly ones as vocal support?

Somon O`Neill as Parsifal for me was not very believeable. His singing was adequate for the most part, his acting rather limited in expression. For him to be a believable Parsifal he needs to shed a few stone in weight. This is a common problem with opera singers and there is no excuse for being fat. These things would not matter if this was just a sound performance but it is a music drama and there needs to be more realism in this respect.

Finally there is the matter of Parsifal being blinded by Klingsor in Act II. This does not actually happen in Wagner`s Parsifal but in LANGRIDGE`S Parsifal everything is fair game! Again this toying with and distortion by directors of Wagner`s very clear and precise stage direction notes must not be tolerated. This was neither Wagner, nor was it art!

You may be wondering why I went to see this production and the simple answer is it is not often that a Wagner production is screened in the small country town in which I live, so good or bad I had to see it! I would recommend that if this charade is ever released on DVD that you do not buy it. Instead purchase the more realistic and very traditional Wolfgang Wagner production, filmed at Bayreuth in July 1998, conducted by Giuseppe Sinopoli and starring the very Nordic Poul Elming as Parsifal. You will not regret the investment.

Saturday, December 21, 2013

Five Examples of Famous Wotan Initiates



In the 19th and 20th centuries 5 rather different Germans were touched by the spirit of Wotan and in effect became Wotan initiates; Wilhelm Richard Wagner[1813-1883], Friedrich Nietzsche[1844-1900], Guido von List[1848-1919], Carl Gustav Jung[1875-1961] and Adolf Hitler[1889-1945]. It should be noted that in the case of Jung he was a Swiss-German and in Hitler an Austrian-German but Germans nonetheless for it is blood that matters, not state boundaries and passports!

All five in some way changed history within their respective fields; music, philosophy, religion, psychology and politics. They were pioneers in their fields, each of them embarked upon their own individual quest. In certain ways the paths of some of them crossed, either literally or metaphysically. In the case of Wagner and Nietzsche they were of course friends. Hitler, an avid devotee of Wagner was a close family friend of the Wagners. Houston Stewart Chamberlain[1855-1927], Wagner`s English son in law  and author of the groundbreaking 2 volume Die Grundlagen des neunzehnten Jahrhunderts [1899] [ The Foundations of the Nineteenth Century,1911] regarded Hitler as Germany`s coming saviour. It is is he who thus provides the link between Wagner and Hitler. Hitler became close friends with Wagner`s daughter in law, Winifred Wagner, born in Hastings, England[1897-1980]. The philosopher of the Third Reich, Alfred Rosenberg[1893-1946], author of  Der Mythus des zwanzigsten Jahrhunderts[1930] [The Myth of the Twentieth Century] was greatly influenced by Chamberlain`s work as was Hitler and Kaiser Wilhem. He appears to have been of mixed European heritage, being Latvian and Estonian on his father`s side and German and French on his mother`s. He is generally known as a `Baltic German`. He suffered martyrdom by the zionists at Nuernberg for thought crime.

Although Nietzsche did not refer to Wotan in his works, preferring instead to make use of classical mythology nonetheless he did experience Wotan and this consequently affected his subsequent work and ideas. In either 1863 or 1864 Nietzsche composed the following poem :

" To the Unknown God

I shall and will know thee, Unknown One,
Who searchest out the depths of my soul,
And blowest through my life like a storm,
Ungraspable, and yet my kinsman!
I shall and will know thee, and serve thee."

 Twenty years later he wrote:


"The Mistral Song

Mistral wind, chaser of clouds,
Killer of gloom, sweeper of the skies,
Raging storm-wind, how I love thee!
Are we both not the first-fruits
Of the same womb, forever predestined
To the same fate?"
 And from Thus Spake Zarathustra we have:


 "Ariadne`s Lament

Stretched out, shuddering,
Like a half-dead thing whose feet are warmed,
Shaken by unknown fevers,
Shivering with piercing icy frost arrows,
Hunted by thee, O thought,
Unutterable! Veiled! horrible one!
Thou huntsman behind the clouds.
Struck down by thy lightning bolt,
Thou mocking eye that stares at me from the dark!
Thus I lie,
Writhing, twisting, tormented
With all eternal tortures,
Smitten
By thee, cruel huntsman,
Thou unknown-God!







Jung of course wrote several essays both before and after the war on the subject of National Socialism being an experience of the God Wotan, the most well known essay being from 1936, Wotan. Jung was the founder of Analytical Psychology, the Aryan alternative to the very Jewish Sigmund Freud`s[birth name Sigismund Schlomo Freud] Psychoanalysis. It should be noted that Jungian Analytical Psychology provided a spiritual explanation for the workings of the mind. In effect it should be called Soul Lore, to borrow a phrase from Edred Thorsson, whilst Psychoanalysis is obsessed with sexual explanations for the most innocent of things. This shows the difference between the Aryan and the Jewish mind, the one being a spiritual driven being, the other purely material and materialistic. Christianity and Islam are both of course the daughters of Judaism and this is reflected in the material nature of both religions and their fanatical desire to obliterate all opposition to their desired hegemony. Capitalism and Bolshevism are the illegitimate daughters of Judaism. All of these isms have had a disastrous effect upon the Aryan peoples and it is global capitalism which is the driving force now for mass wide-scale immigration in order to provide a cheap labour force of work slaves that will travel hundreds and thousands of miles for a cleaning job. Part of the task that we face is to awaken people to the dangers of capitalism. Jung also gave a scientific explanation for the Blood Memory which he called the Racial Collective Unconscious.

Jung also experienced Wotan in a dream regarding his mother`s coming death. 



"The night before her death I had a frightening dream. I was in a dense, gloomy forest: fantastic, gigantic boulders lay about among huge jungle-like trees. It was a heroic, primeval landscape. Suddenly I heard a piercing whistle that seemed to resound through the whole universe. My knees shook. Then there were crashings in the underbrush, and a gigantic wolfhound with a fearful, gaping maw burst forth. At the sight of it, the blood froze in my veins. It tore past me, and I suddenly knew: the Wild Huntsman had commanded it to carry away a human soul. I awoke in deadly terror, and the next morning I received news of my mother`s passing.
"Seldom has a dream so shaken me, for upon superficial consideration it seemed to say that the devil had fetched her. But to be accurate the dream said that it was the Wild Huntsman, the `Gruenhuetl`, or Wearer of the Green Hat, who hunted with his wolves that night-it was the season of  Foehn storms in January. It was Wotan, the god of my Alemannic forefathers, who had gathered my mother to her ancestors-negatively to the `wild horde`, but positively to the `saelig Luet`, the blessed folk. It was the Christian missionaries who made Wotan into a devil. In himself he is an important god-a Mercury or Hermes, as the Romans correctly realised, a nature spirit who returned to life again in the Merlin of the Grail legend and became, as the spiritus Mercurialis, the sought after aracanum of the alchemists. Thus the dream says that the soul of my mother was taken into that greater territory of the self which lies beyond the segment of Christian morality, taken into that wholeness of nature and spirit in which conflicts and contradictions are resolved."[Memories, Dreams and Reflections, 1963]

In 1915 Hitler composed a poem devoted to Wotan whilst serving as a brave front-line soldier in WWI :


Sometimes, in the bitter nights I go to Oak Wotan.
Surrounded by silent glare,
To forge an alliance with the powers at night.
The runic letters that makes the moon with his magic spell
and all those who during the day are full of impudence,
They become small before the magic formula!
They cast steel spears, but instead of hitting the target,
Solidify into stalagmites.
Thus, the false are separated from the real.
I came to a nest of swords and then give my formula
Blessings and prosperity for the good and the fair.

The production of Der Ring des Nibelungen by Wagner fed into the emerging German rediscovery of the ancient past and Germanic Gods, who never died but simply faded into the background. Wotan features in the first three of Der Ring cycle music dramas. Wagner explores the psyche of Wotan in a way that nobody before or since has ever done.

Guido von List should be regarded as the father of Armanism and at an early age he oathed himself to Wotan to rebuild His religion. History tells us that he has succeeded!

"It was in the year 1862 - I was then in my fourteenth year of life - when I, after much asking, received permission from my father to accompany him and his party who were planning to visit the catacombs [under St. Stephen's Cathedral in Vienna] which were at that time still in their original condition. We climbed down, and everything I saw and felt excited me with a kind of power that today I am no longer able to experience. Then we came - it was, if I remember correctly, in the third or fourth level - to a ruined altar. The guide said that we were now situated beneath the old post office (today the Wohlzeile House No. 8). At that point my excitement was raised to fever pitch, and before this altar I proclaimed out loud this ceremonial vow: "Whenever I get big, I will build a Temple to Wotan!" I was, of course, laughed at, as a few members of the party said that a child did not belong in such a place… I knew nothing more about Wuotan than that which I had read about him in Vollmer's Woterbuch der Mythologie."[Deutsch-Mythologische Landschaftsbilder, 1891, Guido von List]



One thing that unites three of these men is that they became blind. Guido von List and Adolf Hitler experienced an episode of temporary blindness which resulted in internal illumination whilst Nietzsche became blind at the end of his life. This is a sign of being a Wotan initiate. It usually is an indication of possession of the initiate by Wotan which in turn leads to a deepening of the spiritual quest and clearer spiritual in-sight.

Saturday, November 16, 2013

Further Reflections on the 432,000 Einheriar



My readers will be aware that Walhalla is said to have 540 doors through which 800 warriors pass through each one, making a total of 432,000 Einheriar.

"Five hundred doors and forty
          I think there are in Valhall;
          eight hundreds of warriors will go together from one
          door
          when they go to fight the wolf."[Grimnismal 23, Elder Edda, Larrington translation]

In the very next verse we are told that Thunor`s hall Bilskirnir[which means `the one striking lightning with rays of light`-Simek or `suddenly illuminated by lightning`-Lindow] also contain 540 rooms.

"Five hundred daises and forty,
          so I think Bilskirnir has in all;
          of all those halls which I know to be roofed,
          my son`s I think is the greatest."[Grimnismal 24, Larrington translation]

Benjamin Thorpe translates `daises` as floors in his translation. John Lindow in his Handbook of Norse Mythology using the Clarendon translation refers to 540 `rooms`. The general scholarly consensus seems to be that it is rooms not daises nor floors that Grimnismal is meant to convey. Snorri Stturluson in Gylfaginning in the Younger Edda quotes from Grimnismal and refers to `apartments`:

"Five hundred apartments and yet forty more I think are in
           Bilskirnir in all. Of the buildings whose roofs I know, I
           know my son`s is the greatest."

Significantly then the number 540 is associated with both Woden[Walhalla] and Thunor[Bilskirnir]. The repetition of this number may be important as the ancients may have wished to emphasise some great teaching to us. It also could signify that despite who may be the reigning God of the Aesir at the time, whether it be [originally] Thunor or [latterly] Woden it is the number which is significant.

I cannot but help think of the words of the Nazarene in John 14:2: "In my father`s house are many mansions."
This is not a Jewish but an Aryan concept. One could just as easily say: "In All-Father`s house are many mansions."

Viktor Rydberg in Our Fathers` Godsaga states that the "Prose Edda perpetuates many errors" in referring to Bilskirnir as Thunor`s residence and that instead it is another name for Walhalla.

At the time of Ragnarok the 432,000 Einheriar[540 x 800] will march forth to do battle against the enemies of the Gods and men. Interestingly  the number 432,000 is the number of years that the Kali Yuga will last according to Hindu mythology. In Sumerian mythology 10 great kings lived a total of 432,000 years. In Mesopotamian belief 432,000 years lapsed between the crowning of the first earthly king and the coming of the deluge. Ragnarok therefore will be both the conclusion of the Wolf Age and the beginning of a new Golden Age.

"Valhalla presents yet another aspect which links it with Eastern scriptures of remote antiquity: Odin in Grimnismal tells his pupil that there are `five hundred doors and forty more` to Valhalla; and that eight hundred warriors issue from each when Odin emerges to war with the wolf. Further we are told that there are five hundred and forty halls in bulging Bilskirner (the shining abode), the largest being `my son`s`- the solar deity`s. Multiplying 540 x 800 we get 432,000 warriors and the same number of halls. In both Babylonian and Indian chronologies this figure occurrs in numerous ways. Multiples of it define specific astronomical cycles while, divided by various numbers, it applies to terrestrial events of greater frequency, even down to the pulse beat of the human heart, generally reckoned as 72 beats per minute. It is itself the length in human years assigned to the Iron Age, in Sanskrit the kali yuga, when the forces of darkness are most challenging."[The Masks of Odin. Wisdom of the Ancient Norse, Elsa-Brita Titchnell]

Hinting at a common Aryan source for this wisdom she states:


"Curious that this should be the number assigned to Odin`s champions. It certainly hints vigorously at some common source from which these widely separated traditions have descended and at some hidden meaning which makes this figure recur in them."  

Monday, November 11, 2013

The Aesir and the Vanir, a Reflection of the Megalithic and Battle Ax Peoples and Their Fusion



It is my contention that the megaliths of northern Europe were constructed by the forefathers of the Germanic peoples who are themselves a fusion of the Northern European Megalithic culture and the Corded Ware/Single Burial/Battle Ax Culture.

The controversy of where to locate the historic Urheimat of the Aryan peoples may never be conclusively decided. Using different scientific disciplines such as comparative linguistics, archaeology, comparative mythology and more recently DNA studies we can at least throw some light upon the subject.
One thing is more or less certain and that the Out of Asia theory is no longer popular and indeed even in the 19th century was not universally accepted. My personal view is that the undivided Aryan people, what scholars would call the Proto-Indo-Europeans originally lived as one people somewhere in Northern Europe. Apart from my own biased sentiments this location best fits the known available evidence. There will be many people who will read this and fervently disagree with me but they are welcome to do so.

The Proto-Indo-Europeans-I shall now instead use the shorter and more convenient term of Aryans are associated with three material cultures which are usually closely linked by scholars: the Corded Ware, Single Grave Burial and Battle Ax cultures. For convenience sake and out of personal preference I will use the term `Battle Ax people` as a collective noun.

We must be careful and not make the simple equation that language = race. Sometimes it does but more often than not it is not a reliable indicator of ethnic and racial origins. Prior to the arrival of the Battle Axe people there already dwellt a Nordic population in northern Europe.



"The arrival in the North of people of the Corded Ware-Single Grave culture made very little change in the physical characteristics of the inhabitants, since the bearers of this culture were Nordic, as were those of the Megalithic culture in the North. Chemical analysis of the preserved hair of the Bronze Age tree-trunk burials show depigmented, that is, blond hair." [The Germanic People. Their Origin Expansion & Culture, Francis Owen, 1960]. 

What therefore changed were not the racial characteristics of Northern Europe but their physical cultures.
Not only were the speakers of Germanic Nordic but so were the bearers of Proto-Indo-European.

"The original speakers of Indo-European must have been Nordic."[Owen]
 "At the same time the fact that the first Aryans were Nordics was not without importance. The physical qualities of that stock did enable them by the bare fact of superior strength to conquer even more advanced peoples and so to impose their language on areas from which the bodily type has almost completely vanished. This is the truth underlying the panegyrics of the Germanists: the Nordics` superiority in physique fitted them to be the vehicles of a superior language."[The Aryans, V. Gordon Childe,

The dominant physical type in Europe has always been Nordic and even today scholars are not in disagreement with this fact. The only physical culture that can be associated  with the Aryans in Northern Europe has its location in Saxony and Thuringia.

"This leaves only the Corded Ware culture of Upper Saxony and Thuringia to be associated with the original Indo-Europeans."[Owen]
 "On the basis of the archaeological and anthropological evidence the conclusion must be that the people of the Single Grave-Corded Ware-Battle Ax culture were the original Indo-Europeans."[Owen]

The bearers of this original Aryan culture expanded from the area of Saxony further north and towards the east into Russia. Many today speculate that the Aryan homeland is to be located in Russia but I contend that this is where the Aryans expanded into on their way to India, Afghanistan, Iran, Pakistan etc. The direction of movement was always to the east-Der Drang nach Osten!

"It is difficult to see how the bearers of this culture could have originated in Southern Russia. It is true that the kurgans in that region were Single Graves and certain examples of the Corded Ware pottery, but many of them belong to the Bronze and even to the Iron Age. The older graves would be the result of the expansion of the Single Grave-Corded Ware people into Southern Russia from the West as part of the general expansion described above."[Owen]

Professor Owen points out that in the Central Asiatic steppes "There is no evidence of the use of such a device as the Corded Ware technique, nor is there any indication of the presence of anything like the Single Grave, the facetted battle-ax or the boat-ax. This explanation is a survival of the traditional belief of ex oriente lux."

The dogma of ex oriente lux or light comes from the east survives to the present day and there is a prejudice amongst many scholars against any idea of civilisation coming from the north or the west. Thankfully these blind book worms are being proved wrong every day as new evidence continues to emerge of the northern origins of civilisation-an Aryan civilisation at that!

This Aryan culture of Single Grave burial can be traced right back to the Mesolithic and even the Upper Paleolithic and may have influenced the development of the Northern Megalithic culture.

"That the people of the Single Grave-Corded Ware culture in their original home in Upper Saxony and Thuringia were physically of the Nordic type can scarcely be disputed, and this is equally true of all the areas into which these colonizers carried this culture, either by peaceful expansion or military conquest."[Owen]

The Aryan Nordic Battle Ax people emerging from the Saxon heartlands merged with the Nordic Northern Megalithic people to create what we now know today as the Germanic or Teutonic peoples. This actual prehistoric event is reflected in Germanic mythology in the war between the Aesir and the Vanir, the Aesir being the Battle Ax people who worshipped the Sky God whose symbol is the ax, later to become the hammer of Thunor, and the earth deities of the Vanir of which Nerthus is an early example.

"The amalgamation of the peoples and cultures of the Northern Megalithic and the Single Grave-Corded Ware-Battle Ax cultures which resulted in the formation of the Germanic people, was followed by a relatively long period of internal development before the first phase of Germanic expansion began."[Owen]
"The religion of the Sky God was introduced into Northern Europe by the Indo-European bearers of the Corded Ware culture."[Owens]

The union of the Aesir and Vanir reflects the intermarrying that took place between these two Nordic peoples to create the Germanic peoples.

"Thus Othin[Woden], who in the early developments of Teutonic religion probably was a Sky-god, was the husband of Jord, the Earth-goddess and mother of Thor, the thunder-god."[The Rites of Old Europe 12,000-3,500 BC, E.O. James]   

Founding wars between two opposing pantheons of Gods may of course be found amongst other Indo-European peoples of course, reflecting similar prehistorical events but it is in the Eddas that we gain valuable literary primary evidence for the origins of the Germanic peoples which is supported by archaeology and other disciplines. The supreme meeting between the Battle Ax and Northern Megalithic cultures is best represented in England`s Stonehenge with its numerous Bronze Age axe carvings in the sarcens. Thus these two symbols: the ax and the megalith are sacred to the Aryan Germanic peoples today just as they were thousands of years ago.

"The new Temple of the God of the Sky stands where the festivals of the Great Goddess used to be held before the warriors with their battle-axes came across the sea from the east with their new god whom we could see was more to be feared."[Stonehenge of the Kings, Patrick Crampton, 1967]
 "And these battle-axe users seem to have played a powerful role in the fusion of cultures which led to the extraordinary upsurge at the time of the final building of Stonehenge."[Crampton]

It is interesting that the author of Atlantis of the North, Juergen Spanuth also comes to a similar conclusion and points out that the oldest dolmens are to found in Schleswig-Holstein, the "heartland of the Nordic Megalithic" culture which he says spread eastwards and sounthwards. He also points out that the oldest axes in the world are to be found in northern Europe and draws a connection between the axe and the megalithic culture. Like other scholars Spanuth believes that the war between the Aesir and the Vanir referred to in the Younger Edda and the Heimskringla[both works by Snorri] is a mythologising of an actual event that took place in northern Europe; a clash between invading Battle Ax people and the more indigenous Megalithic people which ultimately led to their fusion into a single people: the Germanic people. This is reflected in the fusion of the Aesir and the Vanir, the Vanir being subsumed to the the Aesir who were clearly more dominant.

"The gods of the two peoples, the Vanir of the megalith builders and the Aesir of the Corded-ware People, also amalgamated with one another."[Spanuth]

Saturday, November 09, 2013

Polar Symbolism and the Immoveable Centre in Aryan Tradition



The idea of the sacred centre in an important feature in Germanic, Celtic and other Indo-European spiritual systems. This is most clearly evidenced in Ireland and Iceland, both of which are islands in the outer perimeter of the Aryan European centre. This may be significant, the idea of an island in the middle of the sea.

In Iceland shortly after its colonisation from Norway the island was split into four quadrants, each governed by a Thing, the Germanic legal assembly in which laws were made and recited and cases brought before the law for settlement. The centre of the four Things is where the annual All-Thing was held at Thingvellir where the most important cases were settled. In Ireland we also have a similar sacred centre at Tara which was surrounded by the four Irish kingdoms of Ulster, Connact, Leinster and Munster. This centre like Thingvellir in Iceland had both a sacral and legal aspect. This was the symbolic centre of Ireland and the residence of the High King.

Hilda Roderick Ellis Davidson in Myths and Symbols of Pagan Europe[1988] states:

"The pattern of four divisions round a central point is found in both Iceland and Ireland, and Mueller claims that this is a fundamental pattern in both Germanic and Celtic tradition."
 This fourfold division reminds one of the fourfold division of the year and the four cardinal directions. Indeed one can see this same division in the Anglo-Saxon Futhorc with its 4 aetts of 32 Runes and its 33rd Rune Gar[the spear of Woden] placed at the centre of the 4 aetts when arranged in a circle. At the centre of both Tara and Uisnech sacred stones were erected: at Tara the Stone of Knowledge[Lia Fail] and at Uisnech the Stone of Division. An example of what these stones may have looked like is the Turoe Stone in County Galloway in Ireland. The stone is curiously dome shaped and its curious patterns are divided into four parts. The stone is said to resemble the Omphalos at Delphi, reckoned also by the ancient Greeks to be the centre of the world.

One of the principal sacred sites of the continental Germans was Eresburg, the location of the Irmunsul, a wooden column held sacred by the Saxons which corresponded with the mythical Scandinavian world tree Yggdrasil, the centre of the nine worlds of the Eddas. The Irmunsul was cut down by Charlemagne in 772. Irmin is considered by some scholars to be an alternative name for the ancient Germanic sky deity Tiw. The Elder Germanic Rune stave Teiwaz is dedicated to this God and is shaped like a tree. Irmunsul like Yggdrasil supported the entire cosmos. In the Volsungasaga a tree is said to have supported the hall of Sigurd`s grandfather Volsung. Significantly beneath Yggdrasil the Gods held assembly and so the link between a symbolically central site and divine communication and judgement is paralleled.

The location of a stone, mountain or tree at the sacred centre  reminds me of the polestar around which the milky way in the form of the flyfot circulates. The pole is immoveable, only the outer arms of the fylfot rotate.
Polar symbolism is an integral aspect of Aryan Hyperborean tradition:

"Its motionless centre signifies the spiritual stability inherent in those who are not affected by the stream and who can organise and subject to a higher principle the energies and the activities connected to the inferior nature. Then the cakravartin appears as the dhamaraja, the `Lord of the Law`, or the `Lord of the Wheel of the Law.` According to Confucius: `The practice of government by means of virtue may be compared to the polestar, which the multitudinous stars pay homage to while it stays in its place.` Hence the meaning of the concept of `revolution`, which is the motion occurring around an `unmoved mover`, though in our modern day and age it has become synonymous with subversion.

"In this sense royalty assumes the value of a `pole`, by referring to a general traditional symbolism. We may recall here, besides Midgard(the heavenly `middle abode` described in the Nordic traditions), Plato`s reference to the place where Zeus holds counsel with the gods in order to reach a decision concerning the fate of Atlantis: `He accordingly summoned all the gods to his own most glorious abode, which stands at the centre of the universe and looks out over the whole realm of change.`"[Revolt Against the Modern World, Julius Evola, 1934]

Evola goes on to discuss some of the symbols of  regality and their polar connections, eg the sceptre which is symbolically related to the `axis of the world` and the throne which like the mountain is an elevated place. In Germanic mythology the sword of Tiw, the spear of Woden and the club of Donar would of course represent the royal sceptre. At various times these Gods represented the highest of the Northern Gods: first Tiw, then Thunor and latterly Woden. Likewise in Celtic mythology the sceptre symbolism is found in the sword of Nuada, the spear of Lugh and the club of the Dagda. In turn these Celtic counterparts for the Germanic high Gods also represented the chiefs of the Gods.

Tiw is a more remote deity from Thunor and Woden. This may in part be the result of the distance in time since Tiw was regarded as the highest God. In historical times this honour was accorded to Woden and prior to that, Thunor. Tiw is thus transcendent, immoveable and His laws are fixed. He is the centre around which all else revolves. He is the `unmoved mover`. This symbolism is also reflected in the Indo-Aryan myth of  Shakti and Shiva, Shiva representing the divine male who is still and unmoving. His function is action via non-action. This is discussed in some detail in Julius Evola`s Eros and the Mysteries of Love[1958]

Sunday, November 03, 2013

Early Germanic and Indo-European Settlement of Britain and Stonehenge



In several articles on my Celto-Germanic Culture, Myth and History blog I drew my readers` attention to the interesting hypothesis for a Germanic presence in Britain from an age much earlier than the 5th century CE. Indeed Stephen Oppenheimer in his The Origins of the British builds a case for a potential Bronze Age or even Neolithic splitting off of English from its parent Proto-Germanic and indeed a Bronze Age or Neolithic presence of the English in Britain.

Up until recent years the received wisdom was that the English or Anglo-Saxons started to arrive in what was to become England from 449CE according to the Anglo-Saxon Chronicles:

" Then came the men of three Germanic tribes: Old Saxons; Angles and Jutes. Of the Jutes came the people of Kent and the Isle of Wight; that is the tribe which now lives on Wight, and that race among the West-Saxons which men even now called Jutish. Of the Old Saxons came the East-Saxons, South-Saxons and West-Saxons. Of the Angles-the country they left has stood empty between the Jutes and Saxons-come the East-Anglians, Middle-Anglians, Mercians and all the Northumbrians."

Bede also repeats more or less the same historical event in A History of the English Church and People:

  "In the year of our Lord 449, Martian became Emperor with Valentinian, the forty-sixth in succession from Augustus, ruling for seven years. In his time the Angles or Saxons came to Britain at the invitation of King Vortigern in three long-ships, and were granted lands in the eastern part of the island on condition that they protected the country: nevertheless, their real intention was to subdue it.

And a bit further on: 

"These new-comers were from the three most formidable races of Germany, the Saxons, Angles, and Jutes. From the Jutes are descended the people of Kent and the Isle of Wight and those in the province of the West Saxons opposite the Isle of Wight who are called Jutes to this day. From the Saxons-that is, the country known as Angulus, which lies between the provinces of the Jutes and Saxons and is said to remain unpopulated to this day-are descended the East and Middle Angles, the Mercians, all the Northumbrian stock[that is, those peoples living north of the river Humber], and the other English peoples."
 Now I am not disputing any of this but it has become clear that this event did not mark the beginnings of Germanic colonisation in Britain. That process began much earlier so that at the time of the Roman conquest there was already a Germanic presence in England. One of the best arguments for this theory is contained in Part 3 of Stephen Oppenheimer`s The Origins of the British. This is an excellent and very thoroughly researched book which I recommend to anyone interested in the origins of the English and British peoples. Aryanists and Anglo-Saxonists will take heart in his theory of a much earlier Germanic and Indo-European presence in the British Isles than traditionally historians would admit. The most negative opinions of the work are usually by people who have never read the book in its entirety or have not properly understood it. Oppenheimer analyses the structure and lexicon of Old English and comes to the conclusion that it is not merely an offshoot of the West Germanic or Ingaevonic language group. Its genesis is more complicated than that. It does indeed share a close similarity in structure with Old Frisian but its lexicon is greatly affected by North Germanic-Old Norse. Now my readers must not jump to the conclusion that this is the result of the Viking invasions as these took place centuries after the advent of the Anglo-Saxons. So any Scandinavian influence on Old English would have had to have taken place before the Saxon invasions but this does not make sense as before these invasions there was no English presence in Britain-or so it would seem. Thus Oppenheimer theorises that there was indeed a Germanic language and thus a Germanic presence already here in England by the time of the Anglo-Saxon invasions. Gildas in his De Exidio et Conquestu Britanniae[On the Ruin and Conquest of Britain] in the 6th century CE wrote:
"A pack of cubs burst forth from the lair of the barbarian lioness, coming in three keels, as they call war-ships in their language....."
As a Briton and as a cleric Gildas was clearly much more emotional about the advent of the Anglo-Saxons than either Bede or the compilers of the Anglo-Saxon Chronicles! `Keel` is generally reckoned to be a Scandinavian term rather than a typical Old English one. Indeed not only was there a Germanic language and thus a Germanic people present in England before the Roman and Anglo-Saxon invasions but Oppenheimer suggests that Old English has such a deep antiquity that it should be classed as a fourth Germanic language group outside of North, West and East Germanic. Thus English may be descended directly neither from Old Saxon nor Old Norse. Indeed Oppenheimer states:
".....but starts to look as if it could include some of the period of the Later Neolithic and Bronze Age, when, as we have seen, there do appear to be genetic and cultural influences coming into Eastern England from southern Scandinavia and North-West Europe."
Oppenheimer spends a lot of time discussing the Belgic peoples of the Lowlands and how in fact Caesar did not define them as being Celts. You will recall that Caesar in his De Bello Gallico[The Gallic War] divides Gaul into three parts:
"The whole of Gaul is divided into three parts, one of which the Belgae inhabit, the Aquitani another, and the third a people who in their own language are called `Celts`, but in ours, `Gauls`."
The Belgae were not Celtic speaking and on the continent they included a number of Germanic tribes amongst them. Oppenheimer states that the Belgae probably spoke a Germanic language,
"perhaps ancestral to Dutch or Frisian which they carried to England even before the Roman invasions."
It is significant that the area of England which the Belgae occupied is the very same area first occupied by the Anglo-Saxons. Of the continental Belgae Oppenheimer states:
"While several personal and tribal names in Belgica described by Caesar have a clearly Gaulish derivation, a larger proportion do not, and some may have belonged to the Germanic branch of Indo-European."
Indeed according to Caesar:
"When Caesar asked the two convoys about the Belgic states-how many were under arms, and what was their strength in war-he discovered that most of the Belgae were of German extraction, and had long ago crossed the Rhine and settled on the western side because of the fertility of the soil. They had forced out the Gauls who dwelt there."
Caesar also identifies the Germanic Cimbri and Teutones as settlers in Belgica:
"The Aduatuci were descendants of those Cimbri and Teutoni who,when marching into our Province and Italy, had left all the cattle and baggage they could not drive or carry with them on this side of the Rhine:....
What is amazing is the lack of Celtic place names in England. So according to Oppenheimer one must assume either the Britons were entirely exterminated by the Anglo-Saxons or that there was already a Germanic language being spoken in England in the areas initially invaded by the Anglo-Saxons. Looking also at the English language it has always intrigued me that there are less than two dozen Celtic loan words in the language and that these stem from places that were known to be Celtic such as Cornwall and Cumbria[Corn-Wealas and Cymru]. Yet there are far more Latin and Norman loan words than this. PC archaeologists and historians who discredit the Germanic invasion or wipe-out theories cannot adequately explain this. There is no historic precedent for this. We also know of course that many of the so-called `Roman` soldiers were in fact Germanic mercenaries and this Germanic presence has been known by scholars for years. However the Germanic genetic, cultural and language penetration into southern and eastern England has a much deeper antiquity than this, something which Woden`s Folk was already aware of before the publication of this book in 2006. Even Tolkien was aware of this and it is reflected in his mythology. When the Germanic peoples invaded England in the period from 449CE to the Danish conquests they were in fact RETURNING to England. Thus the English whether you take the 449CE date or project it back into the Neolithic or Bronze Age are in fact indigenous to Britain if the UN definition is anything to go by. Indeed we are probably one of the very oldest of Indigenous peoples.

It is clear to me that the event of 449CE, the `Coming of the English` was in fact a return to an ancient homeland, an Ur-Heimat which makes the English a very special Germanic Folk as this island was regarded by classical authors as the land of the Hyperboreans and references are made to a rather unusual and unique temple to the Sun God, Apollo:

"There is in that island a magnificent temple of Apollo, and a circular shrine, adorned with votive offerings and tablets with Greek inscriptions suspended by travellers upon the walls. The kings of that city and rulers of the temple are the Boreads, who take up the government from each other according to the order of their tribes. The citizens are given up to music, harping, and chaunting in honour of the Sun."[Quoted from Origins of English History, Charles Isaac Elton]

The Apollo referred to is of course the Greek version of whoever the northern European deity is that the classical author was referring to. It is beyond doubt that one of the functions of Stonehenge was that of a solar temple. Its use over the centuries and millennia did of course change but this was the original function
of phases II and III which we now know were the product of Indo-Europeans.[See Stonehenge of the Kings, Patrick Crampton, 1967,  Stonehenge: The Indo-European Heritage/Stonehenge and the Origins of Western Culture, 1978/1979 by Bruce Kraig and Leon E. Stover and Stonehenge City: A Reconstruction by Leon E. Stover, 2003].

We now have conclusive evidence to support Crampton and Stover`s theory from recent  discovery of a further 72 upturned Bronze Age axe head carvings on four of the trilithons:

"In Indo-European tradition axe-heads were often associated with storm deities – and some surviving European folklore beliefs suggest that upwards-facing axe blades were used as magical talismans to protect crops, people and property against lightning and storm damage. It’s potentially significant that every single one of the Stonehenge axe-head images have their blades pointing skywards, while the daggers point downwards. The axe-heads – the vast majority of the images – may therefore have been engraved as votive offerings to placate a storm deity and thus protect crops".[The Independent 9/10/12]

There is of course the further link of the Bush Barrow mace and the Indo-European context of Stonehenge.
When the Bush Barrow which is part of the Stonehenge complex was first excavated in 1908 a number of highly significant artifacts were discovered which help to establish the Indo-European origins of the builders of phases II and III of Stonehenge[as we see it today]. Included within the find were two golden lozenges, one smaller than the other, three bronze daggers, a sheet gold belt plate, bronze rivets and a stone mace.
The lozenges, no doubt worn as breastplates are likely to be royal insignia as is the stone mace.

 Leon Stover in his Stonehenge City A  Reconstruction draws attention to the bone jagged lightning flashes that were fitments on the now perished original wooden handle. He compares this artifact with Agamemnon`s "lightning sceptre" in Homer`s Iliad. He also mentions a similar mace head found in Clandon Barrow in Dorset. This mace head is made of polished jet and has five gold studs inset. Also very significantly the Clandon Barrow contained a gold breastplate similar in style to the Bush Barrow ones.

 Professor Stover interprets these royal stone maces as representing the "foundation stones of Indo-European cosmology, which everywhere posited a thunder-and-lightning god not unlike the well-attested Thor of Norse mythology."[2003]

Now what of the language spoken by these Stonehenge Indo-Europeans. Taking into account Oppenheimer`s theories there is no greater claim to it being a form of Celtic than Germanic:

"no stronger claim to aboriginal status than the Anglo-Saxons."[See page 475].

Of course the form of Indo-European spoken may be neither Germanic nor Celtic but an archaic and now lost form of Indo-European.




Saturday, November 02, 2013

Thunar as an Archetype



My readers will already be familiar with the concept of Wotan as an archetype as most famously posited in Jung`s essay Wotan[1936]. We know that *Wodanaz is part of the inner life of the German and Germanic peoples. What tends to be ignored are the parts played by other primary Germanic Gods in our inner life, in particular* Tiwaz and *Thunaraz. These names-*Wodanaz, *Thunaraz and* Tiwaz are the reconstructed Proto-Germanic terms for our most ancient deities and thus the earliest forms used by our Germanic ancestors. 

To me Wodan represents intellect and the never ending quest for knowledge and wisdom in Germanic man. Tiw represents a transcendental and aloof quality, duty, honour and self-sacrifice whilst Thunar is the embodiment of strength, power and force. All three have the quality of courage. The Eddas often portray our Gods in groups of three when embarking upon adventures in other realms, eg

.Wodan , Wili and We

. Wodan, Hoenir and Lodur.

.Wodan, Loki and Hoenir

.Thunar, Loki and Thialfi.

It is my intention to make a detailed study of the occurrence of triple God or Goddess groupings in a future article but suffice it to say that it is a common feature of Germanic and Celtic mythology. In the folkish revival of the 19th century Thunar enjoyed a great deal of prominence. It is interesting that Heinrich Heine, a xtianised Jew living in Germany had this to say about Thunar in his The History of Religion and Philosophy in Germany:

" Christianity - and that is its greatest merit - has somewhat mitigated that brutal Germanic love of war, but it could not destroy it. Should that subduing talisman, the cross, be shattered, the frenzied madness of the ancient warriors, that insane Berserk rage of which Nordic bards have spoken and sung so often, will once more burst into flame. This talisman is fragile, and the day will come when it will collapse miserably. Then the ancient stony gods will rise from the forgotten debris and rub the dust of a thousand years from their eyes, and finally Thor with his giant hammer will jump up and smash the Gothic cathedrals.

" Do not smile at my advice -- the advice of a dreamer who warns you against Kantians, Fichteans, and philosophers of nature. Do not smile at the visionary who anticipates the same revolution in the realm of the visible as has taken place in the spiritual. Thought precedes action as lightning precedes thunder. German thunder is of true Germanic character; it is not very nimble, but rumbles along ponderously. Yet, it will come and when you hear a crashing such as never before has been heard in the world's history, then you know that the German thunderbolt has fallen at last. At that uproar the eagles of the air will drop dead, and lions in the remotest deserts of Africa will hide in their royal dens. A play will be performed in Germany which will make the French Revolution look like an innocent idyll."

It is significant that not only does Heine make an association between German character and Thor but also in the above quoted book he predicts the coming of the Third Reich in 1835, 98 years before it happened!
Thus it is important that when we study the spiritual stirrings in 1930s Germany we take into account not only Wodan but Thunar as an archetype as well. Thunar brought order in Germany after His battle against the forces of chaos were won and it is this destruction of the forces of chaos which forms Thunar`s primary function.




Religion and the Education of the Young



What the internal and external enemies of our Folk fear the most is a resurgence of Aryo-Germanic  awareness and pride. The whole of their system of propaganda which starts with primary education is designed to eradicate this natural awareness and pride from the youngest of our Folk. The folkish parent will combat this either through home schooling or by taking a careful supervision of what their children are learning at school, giving their children an alternative Weltanschauung and acting as an intelligent critic of any liberal propaganda cloaked as `education`. The parent should also take steps to ensure that their child is withdrawn from all religious `education` and worship which are the primary means that the propagandist[teacher] uses to inculcate a sense of  guilt in Aryan children. The healthy Aryan does not acknowledge `guilt` in the same sense as a xtian. The only guilt that an Aryan should feel is if he betrays his folk and Gods. Nothing else is of any relevance.

Before the child is old enough to participate in our sacred rites he or she should be given as one of their first gifts a hammer amulet. What we cannot explain intellectually may be transmitted symbolically to the young. I do not believe that there is a fixed age when children should participate in our rites and the parent must make a careful judgement as to when the child is ready. Participation in rites is a solemn and sacred duty and if there is any sign that the child lacks the maturity to control themselves then participation should be delayed until the time is right. In the meantime the parent should expose the child gently to our ancient lore, heritage and culture via the telling of nursery rhymes, folk tales and some of the easier to understand myths from the Eddas so that when they are mature enough to take an active part they will have a modicum of understanding. Indeed the withholding of participation by the parent may induce a longing for the child to be involved and this should be taken as an indication that the child is ready.

The continual exposure of the child to healthy stereotypes and symbols such as the hammer and fylfot will give them a natural sense of identity. It is not necessary however to expose them to negative racial teaching. Children already have an awareness of difference and negative instead of positive teaching can be counterproductive to our aims. For instance long ago on certain forums I criticised the mother of the Prussian Blue duo for using her children for propaganda purposes. They were, in my opinion too young to understand the import of what they were singing about. The danger is that children become merely the mouthpiece of their parents, unthinking automatons and this is not what we are about, or should be about. The child must be encouraged to think for themselves, to develop a critical faculty. A child who is brainwashed by a parent or an institution will only eventually rebel against that parent or institution if they have a scintilla of intelligence. This is what happened, predictably to Prussian Blue who now reject their white nationalist image and stance.

Thoughtful and careful folkish parenting is thus a tightrope. To not give children a view alternative to the liberal and decadent society in which they have been plunged is in my view wrong but at the same time we must also avoid being brainwashers. Like other cultures we have the right to raise our young in our own belief systems but we must not like fundamentalist xtians or musims become brainwashers. A child raised in an intelligent and loving way will naturally come to see the inherent flaws in the liberal and degenerate worldview.

Saturday, October 26, 2013

Thor-Indra, Protector of the Aryan Folk


"Indra, as we show, bears resemblances to other `hammer-gods`. He is the Indian Thor, the angry giant-killer, the god of war and conquests. That his name even did not originate in India is made evident by an inscription at Boghaz Koi, in Asia Minor, referring to a peace treaty between the kings of the Hittites and Mitanni. Professor Hugo Winckler has deciphered from this important survival of antiquity `In-da-ra` as a Mitanni deity who was associated with Varuna, Mitra, and Nasatya."[Indian Myth and Legend, Donald A. Mackenzie].

Mr Mackenzie is correct in asserting that Indra or In-da-ra did not originate in India for He is a descendant of the ancient Indo-European Thunder God. There are many similarities between Indra and the Germanic Thor/Thunor/Thunaer/Donar:

"The popular thunder-god of the Vedic period bears a close resemblance to the hard-drinking, kindly and impulsive Thor, the Teutonic god of few words and mighty deeds, the constant `friend of man` and the inveterate enemy of demons."[Indian Myth and Legend]

Like Thor Indra was red-bearded, wielded the thunderbolt and his vehicle of choice being the chariot. Not only were they defenders of their Folk and thought against the forces of evil and chaos but both were enemies of the serpent. In the case of Thor this was the Midgard Wyrm. In Indra`s case it was the serpent Vritra. This struggle between the Aryan Sky God and the cthonic earth deity, the serpent, wyrm or dragon is a constant theme in Germanic and Aryan legend and myth. We recall of course the exploits of Beowulf and Sigurd-Siegfried. These heroes are a legendary echo of the the Aryan Sky/Thunder God. This struggle continues today between the solar/polar male virile sky religion of the Aryan and the non-Aryan lunar feminine earth bound religion.

That Indra is an Aryan deity is beyond doubt. Even a basic survey of the Rig Veda will unearth abundant references to this fact. He is an Aryan God but also a defender of  his Aryan Folk.

"I have bestowed the earth upon the Arya, and rain upon the man who brings oblation. I guided forth the loudly-roaring waters, and the Gods moved according to my pleasure."[Rig Veda Book 4, Hymn XXVI, 2, Griffith translation]

"I gave the earth to the Aryan; I gave rain to the mortal who made an offering. I led forth the roaring water; the gods followed after my wish."[Donning O` Flaherty translation]

"The mighty Thunderer with his fair-complexioned friends won the land, the sunlight, and the waters."[Rig Veda Book 1, Hymn  100, 18, Griffith]

"Indra in battles helps his Aryan worshipper, who hath hundred helps at hand in every fray, in frays that win the light of heaven. Plaguing the lawless he gave up to Manu`s seed the dusky skin;"[Rig Veda Book 1, Hymn 130, 8, Griffith]

"SING, with oblation, praise to him who maketh glad, who with Rjisvan drove the dusky brood away."[Rig Veda Book 1, Hymn 101, 1, Griffith]

"Armed with his bolt and trusting in his prowess he wandered shattering the forts of Dasas. Cast thy dart, knowing, Thunderer, at the Dasyu; increase the Arya`s might and glory, Indra. For him who thus hath taught these human races, Maghavan, bearing a fame-worthy title, Thunderer, drawing nigh to slay the Dasyus, hath given himself the name of Son for glory."[Rig Veda, Book 1, Hymn 103, 4-5, Griffith]

This is just a small selection of references in the Rig Veda to the protective role that Indra has towards His Aryan followers in their struggle against the alien for Lebensraum. The key to seeking and obtaining the protection of *Thunaraz is to acknowledge His greatness and power and that we are His kin, to place our trust in His protection and call upon Him for aid in our life and death struggle for biological preservation.

I would encourage my readers to obtain a copy of the full Rig Veda, translated by Ralph T.H. Griffith and available cheaply on sites like Amazon. This is the most reliable and undoctored un-PC version available. It would also be adviseable to obtain a copy of Wendy Doniger O`Flaherty`s translation of an edited version of the Rig Veda, published by Penguin. Although edited it is rich in footnotes and important parts of the Rig Veda are arranged thematically which aids study. Both translations should be used in conjunction with each other.   


 


 

Sunday, October 20, 2013

The Use of Music in Rituals-Donner Swings His Hammer



For a while now I have considered introducing music into my Wodenist rites. Some Wodenists/Wotanists/Odinists already do this and  if the music is chosen carefully it can add to the feelings of awe and reverence as we enter into the presence of the Gods.

Suitable music would include extracts from Wagner`s Der Ring des Nibelungen. One of the highlights of Das Rheingold and Der Ring generally is the latter part of Scene 4. The section of music in particular that I have in mind is Schwueles Geduenst:

"Schueles Geduenst
          schwebt in der Luft;
          laestig ist mir
         der truebe Druck:
         das bleiche Gewoelk
         samml` ich zu blitzendem Wetter;
         des fegt den Himmel mir hell.

         


          "A sultry haze
           soars in the air;
           burdened I am
           by its cloudy weight

           the leaden clouds
           I`ll collect into a raging storm;
           which will sweep the heavens clear.
           [Wotan`s Krieger`s translation]

Donner[Thunor/Thor/Donar] then climbs a rock promontory overlooking the valley and then He swings His hammer, gathering the mists to him.


"He da! He da! Hedo!
           Zu mir, du Gedueft!
           ihr Duenste, zu mir!
           Donner, der Herr,
           ruft euch zu Heer.


"He da! He da! Hedo!
           To me, you haze!
           you mists, to me!
           Donner, the Lord,
           calls you to be his army.
           [Wotans Krieger`s translation]

Donner then swings His hammer.

"Auf des Hammers Schwung
           schwebet herbei:
           dunstig Gedaempf!
           Schwebend Gedueft!
           Donner, der Herr,
           ruft euch zu Heer!
           He da! He da! Hedo!

"On the swing of the hammer
           soar here:
           misty vapour clouds!
           Soaring haze!
           Donner, the Lord,
           calls you to be his army!
           He da! He da! Hedo!"
           [Wotans Krieger`s translation]

Following this Donner disappears, completely enveloped in the thundercloud. His hammer then strikes the rock. Flashes of lightning appear, followed by the crashing sound of thunder.

The astute reader will observe Wagner`s nice play on words, rhyming [Donner der] Herr[lord] with Heer[army]. This is a common feature in Wagner`s work.

The most appropriate stage to introduce this music would be before the commencement of the Hammer Rite. In effect what we would then be doing is performing a rite already accomplished in the heavens by Thunor: "as above, so below." This should then set the right spiritual atmosphere for what will follow. 

The best version of this highlight-with words is probably that of Bernard Haitink and the Bavarian Radio Symphony Orchestra, featuring Andreas Schmidt as Donner. His vocals are some of the deepest I have heard for this role and the orchestral effects are nicely bombastic which is how this piece should be done!
 




            
        
         

Saturday, October 19, 2013

A View Regarding the First Three Conan Films

The last 10-15 years has seen a number of films being made that appeal to racially aware Aryans, some good, some not so good, some plain bloody awful such as The 300 which is nothing more than a piece of anti-Iranian propaganda designed to stir up the feelings and misplaced loyalties of European-Americans.
I attempted to sit through this film but could manage no more than 20-30 minutes before turning it off.

The acting even by Hollywood standards is appalling, the obvious computer graphics distracting. I am sure that most of the so-called Spartan warriors were computer graphically enhanced with muscles as they strolled around in their unhistorical loin cloth outfits.

The Persians were demonised to the extent that many of them did not look Aryan or even human. This film appeared at a time when American[read zionist] propaganda and war fever was being ramped up against Iran and the non-zionist controlled muslim world. Is it a coincidence that the director of this celluloid ham is a Jew, Zack Snyder?

By contrast one should compare the three fantasy films based on the work and characters of Robert E. Howard:

Conan the Barbarian[1982]
Conan the Destroyer[1984]
Red Sonja[1985]

These films were faithful to the spirit of Howard`s Hyborian Age and were not afraid to use racial stereotypes but not for the purpose of political or war propaganda. Howard`s works have a strong racial awareness to them and as such make highly suitable literature for Aryanists and their families to read. They also have a mystical quality to them and this is brought out not just in the imagery but also the soundtracks of the films.

It should be noted that the character High Lord Kalidor played by Arnold Schwarzenegger in Red Sonja is really intended to be Conan but the film studio were unable to secure permission to use the Conan name. Thus it should in reality be regarded as the third Conan film, sharing a similar cast of actors and film staff as the other two films.

A story intended to be used for a King Conan film starring Schwarzenegger was eventually used instead for the Kull the Conqueror film[1997] starring Kevin Sorbo which is also worth watching. Kull as all Howard fans will know is the original character that Conan developed from but he is set in a much earlier age. 2014 will see Schwarzenegger reprise his Conan role with a further film planned for 2015. We will view these with interest!

A careful selection of such films and their repeated viewing not merely for entertainment purposes will reinforce the heroic yet mystical Aryan archetype in the minds of the young and not so young and as such are useful tools in the cleansing of the mind and spirit of our peoples. 

Wednesday, October 16, 2013

Jung and his Encounter with Wotan



It will be fairly common knowledge amongst my readers that the German-Swiss founder of Analytical Psychology, Carl Gustav Jung authored the famous tract on Wotan in 1936. What is lesser known is his apologetic essay titled After the Catastrophe in 1945 which to me appears to be a desperate attempt by Jung to distance himself from any association with National Socialism, no matter how tenuous that association was. It is still worth reading for its references to Wotan.

What is also less well known is the personal encounter which Jung had with Wotan in dream form which he relates in his autobiography, Memories, Dreams, Reflections[1963]. On pages 344-347 Jung relates this dream to us. The night before his mother`s death he had a dream in which he encountered Wotan:

"The night before her death I had a frightening dream. I was in a dense, gloomy forest: fantastic, gigantic boulders lay about among huge jungle-like trees. It was a heroic, primeval landscape. Suddenly I heard a piercing whistle that seemed to resound through the whole universe. My knees shook. Then there were crashings in the underbrush, and a gigantic wolfhound with a fearful, gaping maw burst forth. At the sight of it, the blood froze in my veins. It tore past me, and I suddenly knew: the Wild Huntsman had commanded it to carry away a human soul. I awoke in deadly terror, and the next morning I received news of my mother`s passing.
"Seldom has a dream so shaken me, for upon superficial consideration it seemed to say that the devil had fetched her. But to be accurate the dream said that it was the Wild Huntsman, the `Gruenhuetl`, or Wearer of the Green Hat, who hunted with his wolves that night-it was the season of  Foehn storms in January. It was Wotan, the god of my Alemannic forefathers, who had gathered my mother to her ancestors-negatively to the `wild horde`, but positively to the `saelig Luet`, the blessed folk. It was the Christian missionaries who made Wotan into a devil. In himself he is an important god-a Mercury or Hermes, as the Romans correctly realised, a nature spirit who returned to life again in the Merlin of the Grail legend and became, as the spiritus Mercurialis, the sought after aracanum of the alchemists. Thus the dream says that the soul of my mother was taken into that greater territory of the self which lies beyond the segment of Christian morality, taken into that wholeness of nature and spirit in which conflicts and contradictions are resolved."

For once Jung instead of commentating on the experience in Germany during those 12 nights of Yule[1933-1945] he speaks even more authoritatively based on his own inner Wotanic experience which amounts to an initiation. Wotan chose to reveal Himself to him.  His mother died in 1923, 11 years before Jung`s groundbreaking Wotan essay. I do not believe that this dream did not in some way influence his essay.

Despite hundreds of years of xtianisation the Germanic peoples cannot divorce themselves from their ancient Gods. They are an intrinsic part of our identity and our very physical and spiritual DNA, most especially our High God Wotan/Woden/Woden/Wodan/Odin.

On speaking of the Gods as Archetypes Jung states in his letter to Miguel Serrano[14/9/60]:

"They have a high degree of autonomy, which does not disappear, when the manifest images change.[My emphasis-Wotans Krieger]. When, for instance, the belief in the god Wotan vanished and nobody thought of him anymore, the phenomenon originally called Wotan remained; nothing changed but its name, as National Socialism has demonstrated on a grand scale. A collective movement consists of millions of individuals, each of whom shows the symptoms of Wotanism and proves thereby that Wotan in reality never died, but has retained his original vitality and autonomy. Our consciousness only imagines that it has lost its Gods; in reality they are still there and it only needs a certain general condition in order to bring them back in full force"[C.G. Jung and Hermann Hesse. A Record of Two Friendships, Miguel Serrano, 1966]

I have much to say on the connection between Woden and His son Widar and how the Woden force will live on in Him in the age to come but I will reserve this for a future article-Woden willing!
 

Saturday, October 12, 2013

The Awakening of the Sleeping Valkyrie in the Self of the Aryan Hero



The awakening of a sleeping beautiful woman by a heroic almost god-like man is an ancient theme in Germanic mythology, best exemplified by the story of the awakening of the Valkyrie Brunhild/Brynhild by the Wotan descended Siegfried/Sigurd.

Hilda Roderick Ellis Davidson in her Road to Hel[1943] states that the story of the awakening of the sleeper "is a very early one." This theme eventually was incorporated into the Burgundian story of the death of Siegfried/Sigurd. The Sigrdrifumal of the Elder Edda and the Volsunga Saga both tell the story of the Valkyrie`s awakening but the Sigrdrifumal is the older of the two sources. Brunhild`s role as a Valkyrie is much less emphasised in the later Middle High German Nibelungenlied, no doubt due to xtian meddling. The German fairy tale of the Sleeping Beauty[Dornroeschen-Briar Rose] is a later folktale version of the same story.

Bruennhilde plays a central role in the Die Walkuere, Siegfried and Goetterdaemmerung parts of Wagner`s Der Ring des Nibelungen.  The awakening of Bruennhilde by Siegfried in Act 3 Scene 3 is a highpoint of Siegfried and Wagner faithfully follows in spirit the Sigrdrifumal in his libretto:

"Heil dir, Sonne!
Heil dir, Licht!
Heil dir, leuchtender Tag!
Lang` war mein Schlaf;
ich bin erweckt:
wer ist der Held,
der mich erweckt?"

"Hail to you, sun!
Hail to you, light!
Hail to you shing day!
Long was my sleep;
I have awoken:
who is the hero,
who has awoken me?"
[Translation by Wotans Krieger ]

"Heil euch, Goetter!
Heil dir, Welt!
Heil dir, prangende Erde!
Zu End` ist nun mein Schlaf;
erwacht seh` Ich:
Siegfried ist es,
der mich erweckt!"

"Hail to you, Gods!
Hail to you, world!
Hail to you, resplendent earth!
My sleep is now at an end;
awakened I see:
it is Siegfried,
who has awoken me!"
[Translation by Wotans Krieger]

"Hail to the day! Hail to the sons of day!
Hail to night and her kin!
With gracious eyes may you look upon us,
and give victory to those sitting here!

"Hail to the Aesir! Hail to the goddesses!
Hail to the mighty, fecund earth!
Eloquence and native wit may you give to us two famous ones
and healing hands while we live!"
[Sigrdrifumal, translation by Carolyne Larrington]

The awakening of Bruennhild is not merely the awakening of a Valkyrie but represents something much deeper and more esoteric. Siegfried is seeking hidden wisdom which can only be obtained by the awakening of the Valkyrie. In the Icelandic Sagas and the Eddas the hero is often found attempting to awaken the dead to gain important knowledge, protection or a special magical sword. In Act 3 Scene 1 of Siegfried Wotan awakens the earth Goddess Erda in order to gain knowledge of the future.

The sleeping Valkyrie is awakened not only to gain lost knowledge which is vital for the hero to recover but in the case of Siegfried and Bruennhild the hero seeks mystical union with the Valkyrie.Inevitably this is something which is not understood except by the spiritual awakened, the Einheriar. Amongst the masses this is vulgarised and made physical and material. The Valkyrie does not represent a physical mortal woman. She is the sleeping part of the hero`s Self. It is the SHE which must unite with the HE to form the  HE-SHE, the ultimate man and the SHE-HE the ultimate woman spoken of by Miguel Serrano in his works. In Jungian terms we would refer to the Anima and Animus.

Sunday, October 06, 2013

Hypnotism, a Recovered Lost Aryan Mantic Art


As I have mentioned before on this blog and on my Die Armanenschaft der Ario-Germanen blog our task after awakening is to become masters of our Self. Our purpose in becoming masters of our Self is to equip us with the right state of awareness and knowledge in order that we can then become masters of others. This is what is meant by the term Herrenvolk. Not all who share our genetics are equipped to master others or even themselves. The vast majority of people, including those of our own biological race are sheep that require a shepherd, someone who has the capacity to tell them what to do and what to think. Before some of you raise an eyebrow at this statement give some thought as to the current situation in the world! In this age of mass media and mass surveillance by government agencies and corporations the individual is made to believe that he has the capacity to think freely but this is the last thing that is allowed to him by the chosen. Only the illusion of freewill is granted by Klingsor. The governing elite, the chosen, use the media and the idiotbox called television to influence the masses and they use governments who are financially manipulated by the chosen to enforce their will through laws.

What I am suggesting is that we use the same strategy. The masses are and always have been the cannon fodder of the powerful and we have to recognise that nothing will change this-and neither should it. Real power is exercised unseen and in secret.

One tool that can be used as a means of Self-empowerment and as a means of influence over others is hypnotism. This is something I studied a few years ago and one of the messages that was repeated throughout the course is that we cannot hypnotise others against their will. This is false. Now much of the training regarding hypnotism is part of training given in hypnotherapy but the skills that are taught are valid for all types of hypnotic work.

Hypnotic inductions are carried out usually by inducing a state of relaxation and the use of imagery, creating a state of mind where the inductee is open to the planting of a suggestion in their unconscious mind. Most trainers will tell you that the conscious mind acts as the gatekeeper to the unconscious and thus the gatekeeper has to be bypassed by being put to sleep. In the relaxed state the inductee is less aware of his environment and the only external stimuli comes from the hypnotist and thus they are more prone to suggestion. To a large extent this is true but people can enter a light trance like state without the intervention of a hypnotist. Examples include falling asleep on the bus, falling asleep driving or during a boring lesson or meeting. A state of relaxation can be induced without the intervention of a hypnotist or without the hypnotist formerly inducing a trance like state. To a great extent this is dependent upon  the susceptibility of the inductee. Some people cannot be hypnotised against their will, that is true but many can. It happens in all sorts of ways but these days in the age of mass communication with television and the internet it is much easier.

If anyone follows the workings of stage and television hypnotists you will observe that they are highly selective in terms of who they choose to hypnotise because they realise that some have a weaker will than others and can be more easily dominated. This is why they carry out suggestibility exercises first upon their audience, hence achieving seemingly remarkable results! 

In future articles I intend to explore the methods and tools that my readers can use to achieve their purpose. Please remember that hypnotism is an ancient Aryan Thulean mantic art and like all of our recovered knowledge should be used. Let us reclaim these tools to achieve the Aryan Imperium that we desire!

 Hypnotism can be used for both positive and negative purposes but it is effective. To understand how we can use these skills one only has to watch Leni Riefenstahl`s Triumph des Willens. Adolf Hitler demonstrated Himself to be a master of this mantic art-right up to the very end.

Irmin, the God of the Irminsul and the Herminones


Some scholars such as Rudolf Simek[Dictionary of Northern Mythology] doubt the existence of the Saxon God Irmin. Their argument is that apart from the Irminsul which presupposes a God Irmin there is no independent evidence to support the theory of there being a God called by this name. They interpret Irmin to mean `great, tall` and thus the Irminsul to be nothing other than a tall column or pillar. This argument is shallow and does not stand up to indepth critical analysis.

My first question is why our Saxon ancestors would erect great pillars to worship if they did not symbolise an actual God? Of course one could equate the Irminsul of the Saxons with the Yggdrasil of the Scandinavians and I believe that this on one level is a valid thing to do. However there is only very limited evidence that the Scandinavians used such great pillars as part of their rites. The Irminsul is a thing that seems to be peculiar to the Saxons and the tradition lives on today in Saxon areas of Germany and in England in the form of the Maypole.

Again there are some who say that "there is no evidence" to link the Maypole with the Irminsul but they are otherwise at a loss to explain the Maypole`s origin! Some in typical Freudian style view the Maypole as a phallic symbol despite there being no evidence to support this. A more likely comparison between Maypole dancing would be the dancing sunwise around certain megaliths which continues up to the present day. Often the people who carry out these customs do not understand the true purpose of the activity or that they are indeed carrying out a prextian sacred rite in honour of the Sun and/or Irmin. It is significant that this is both an English, Scandinavian and a continental Germanic custom. The spread of this customer may have started in Saxon Germany and spread northwards and into England with the arrival of the Anglo-Saxons. Of course with the growth of the English empire this custom spread to other parts of Britain and modern English speaking countries.

The customs that the Church could not suppress or plagiarise continue today in our folklore. A useful guide to such customs is to be found in In Search of Lost Gods. A Guide to British Folklore by Ralph Whitlock.

In addition to the Irminsul the name of Irmin is to be found in one of the three tribal designations referred to in Tacitus` Germania:

"In ancient lays, their only type of historical tradition, they celebrate Tuisto, a god brought forth from the earth. They attribute to him a son, Mannus, the source and founder of their people, and to Mannus three sons, from whose names those nearest the Ocean are called Ingvaeones, those in the middle Herminones, and the rest Istvaeones. Some people, inasmuch as antiquity gives free reign to speculation, maintain that there were more sons born from the god and hence more tribal designations-Marsi, Gambrivii, Suebi, and Vandilii-and that those names are genuine and ancient."[Germania 2.2]

The Frankish Table of Nations from around 520CE states:

"there were three brothers, first Erminus, second Inguo, third Istio; from them developed thirteen peoples."

Other classical writers such as Mela and Pliny also mention the Hermiones. The use of the `h` at the beginning of Hermiones or Herminones is purely a Latin aspirate and was not used by the Germanic peoples.
Our ancestors would have referred to themselves as Irmiones/Ermiones or Irminones/Erminones or something cognate with this term. It is interesting that all three Germanic tribal divisions are said to alliterate, ie they each start with the same letter: Ingvaeones, Irminones and Istvaeones.

"The aspirate given by the Romans to Herminones, as to Hermunduri, is strictly no part of the German word, but is also very commonly retained by Latin writers of the Mid. Ages in proper names compounded with Irmin."[Teutonic Mythology, Volume 1, Jacob Grimm]

Interestingly the Hermunduri occupied the region of Saxony and Thunringia and undoubtedly were in part the ancestors of the Saxons and belonged to the tribal division of Herminones.

We know that there is evidence to support the argument that the Ingvaeones were named after their ancestral deity Ing. It is conjectured also that the Istvaeones were named after the first Germanic man, Askr[see Teutonic Mythology, Volume 1]. It is logical therefore that the Irmin of Irminones must be a divine ancestor.

Irmin can be found as part of many ancient Germanic names,eg:

Hermanaric, Hermann, Ermintrudis, Irminfrith[King of the neighbouring Thuringi], Irmansuint, Irmingart, Irminolt, Irmandrut, Irmanperalit, Irmandegan, Irmandeo, Eormenric, Eormenred, Iiurminburg, etc.

Of course the great prince of the Cherusci who thrashed the Romans in the 1st century CE was named Arminius or Hermann. He was of course an historical figure but one can see how such figures can become embroiled in myth when comparisons with the legendary Siegfried are made.  

Scholars are tempted to equate Irmin with other deities such as Saxnot who is purely a Saxon God like Krodo but also He has been compared with Tiw and even Woden. I think it best that we consider Him on His own merits until further research of a conclusive nature is carried out.

In an earlier article titled Aryaman/Airyaman/Ariomanus/Eremon/Irmin-the Divine Concept of Aryanness, published on my Aryan Myth and Metahistory blog on 17/8/12 I demonstrated that Irmin has His origins in an original Aryan deity even though over time amongst the Germanic peoples His worship appears to have been confined mainly to the Saxons. This deity reconstructed name is *Aryomn. We are thus genetically and spiritually Ar-manen or Ir-minen, Arya. There should now be no doubt about the validity of our use of this term as a self-descriptor.


Wednesday, October 02, 2013

The Aryan Doctrine of the Ages Portrayed in Wagner`s Der Ring des Nibelungen



The greatest work of Richard Wagner`s career was of course the tetralogy Der Ring des Nibelungen, comprising the four interlinking music dramas of Das Rheingold, Die Walkuere, Siegfried and Goetterdaemmerung. One does not just listen to this music, one experiences it, especially if viewed on stage or the big screen but even listening to the music itself one cannot help but be transported to an age outside of time itself. The music even without the libretto is perfectly capable of effecting a change in spiritual state.

I was first exposed to Wagner`s music in my late 20s and this very experience acted as a catalyst for my spiritual and racial awakening. Listening today to his music as a man in my 50s I am still transformed to a realm beyond this one, an unspoilt Aryan realm beyond conventional time and space. 

Wagner`s music is his gift to the Aryan world for only an Aryan can truly experience and understand the hidden message behind the music. As I have said before listening to his music, in particularly Der Ring is in itself a valid spiritual experience. Bayreuth is more than just a theatre or an `opera house`: it is a temple dedicated to Aryan art. However in the decades following the end of World War II it has experienced every kind of sacrilege.

The finest interpretation of Der Ring is in my opinion that of Herbert von Karajan and the Berliner Philharmoniker, recorded in the studio from 1966-1970. As fine as Georg Sollti`s studio recording of Der Ring is it lacks one important factor: an Aryan conductor and this is why it will always rank second to von Karajan`s interpretation for this music can only be fully understood and appreciated by an Aryan.

Whilst I own the full recording of von Karajan`s Ring amongst several others it is the Highlights album which I first listened to in  1989 which won me over to Wagner`s music. Even today whilst listening to the Highlights CD I am struck by one important spiritual observation: Wagner demonstrates through his tetralogy the Aryan doctrine of the four ages and their cyclical nature.

Das Rheingold with its emphasis on the building of Walhall focuses purely on the world of the Gods with the main attention being devoted to Wotan and the other primary Gods: Donner, Froh, Freia, Fricka, Erda and Loge. This is the Aryan Golden Age but a hint of the degeneration to come is apparent by the final closing scene of the work.

Die Walkuere clearly demonstrates the rupture in the relationship between Wotan and His favourite daughter Bruennhilde. Through Her disobedience the degeneration  has occurred. The focus is no longer only the world of the Gods but also the world of man-heroic Germanic man that is, with the introduction of the characters of Siegmund, and Sieglinde his twin sister and bride, the parents of Siegfried. These are the Volsungs, whose ancestor was sired by Wotan Himself. These are in reality demi-Gods.This is the Silver Age.

With Siegfried it is clear that the world of the Gods has now fully faded into the background and the attention is entirely focused on the world of men. Wotan now appears as Der Wanderer and His power is broken when His spear Gungnir is broken on the sword Notung, Siegmund`s sword reforged by his son Siegfried. This is the Bronze Age, the age of the Aryan God-man who realises his own divinity and starts to act independently from the Gods.

Finally we have the Iron Age also known as the Kali Yuga, the age we find ourselves in now:

"Brother will fight brother and be his slayer,
brother and sister will violate the bond of kinship;
hard it is in the world, there is much adultery,
axe-age, sword-age, shields are cleft asunder,
wind-age, wolf-age, before the world plunges headlong;
no man will spare another."[Voluspa 45, Elder Edda]
 This age is represented well in Goetterdaemmerung where Siegfried is betrayed by his blood brothers and this act of betrayal leads directly to the epoch changing events of Ragnarok. However a glimpse of a new age, a new Golden Age is tantalisingly hinted at musically at the conclusion of the work.